Weedeater, The Obsessed, Primitive Man, Fatso Jeston, Karma To Burn

Weedeater

The Obsessed

Primitive Man

Fatso Jeston

Karma To Burn

Thu, April 27, 2017

Doors: 8:00 pm / Show: 8:00 pm

$18.00 - $20.00

Tickets Available at the Door

This event is 21 and over

Weedeater
Weedeater
With a sound and presence like no other band in the world, Weedeater stand apart from all others, both live and on their recordings. Their unfiltered and unrefined energy surges uncontrollably through the band and anyone who bears witness to their live show. Spite and deep resentment somehow fuse with comedy and maximum volume to produce an indignant, vomitous (both figuratively and sometimes literally) performance that is forced upon the willing yet hapless crowd. You are instantly swallowed whole by both Dixie and Shep's nearly indistinguishable monster bass and guitar tones, and you are absolutely beaten to a bloody pulp and scared for your life by Keko's crazed, yet amazingly potent bashing of his kit; with sticks that look like tree trunks turning into a splintered mess by the end of every song. If you had any sense you might actually take a step back and contemplate your safety for a moment, but then you come to your senses (sort of, anyway) and realize you're at a f*cking Weedeater show, and this is why you came here, and there is no way to deny what you are witnessing. Pure, unabashed, musical violence in every form. It's real, and it's dangerous, and it feels so damn good. After 2007's critically acclaimed and now classic release, "God Luck and Good Speed" had been toured to death around the world, the boys finally took some time between the mishaps and mayhem of 2010 to write and record their 2nd album for Southern Lord Recordings and 4th full-length CD/LP, "Jason...The Dragon", which will be released March 15th on both CD and LP. Recorded and mixed once again by the legendary Steve Albini at Electrical Audio Studios in Chicago, and mastered once again by the equally as legendary John Golden at Golden Studios in southern California, "Jason..." continues the legacy that has culminated over nearly 15 years of the band's existence into something truly unique and masterful. Once again, we are dragged through the mire by three of the finest dirge merchants in the world, and the songwriting is just as ingenious as ever and seems to start just where "God Luck..." left off, with "Hammerhandle" kicking things off in an oscillating groove that builds and falls and then eventually melts into "Mancoon", a ripping tune that spans themes from homemade dynamite to true tales of human bite wounds and other guttural warnings that are surely not meant to be taken lightly. The band returns to their swampy roots via acoustic bass and banjo with the album's closer "Whiskey Creek", and they venture into totally new territory with the hook-laden, driving force that is "Homecoming". Dixie's solo performance on "Palms and Opium" sounds like a narcotic jam that he and Dean Ween had at a private nitrous party on a deserted island; the track was inspired by and written during the blissed-out visions Dixie had while laid up on pain pills for a month after blowing off his big toe with a shotgun in early 2010. We don't need to go back there again, do we? Seems like we just did. The masterpiece is of course the album's namesake, "Jason...the Dragon" which takes the listening doomernaut on a slithering journey though a sludgy world of viscous, black molasses riffs that are punctuated by cannon drums and some of the album's most memorable lyrics. With a full headlining tour of the US planned for February and March and a European tour shortly thereafter with a stop at Roadburn and more dates to be announced soon, the band is rearing to take 2011 by storm and there is a horde of rabid fans ready to hear their newest offerings.
The Obsessed
The Obsessed
The band formed originally in the early 1980s, in Potomac, Maryland, led by Wino. Later on the group moved into a band house in Rockville, Maryland where some of their most creative and hardest music was written. Before this move, however, original guitar player John Reese departed from the band. The band became a trio and remained that way until the mid eighties when Vance Bockis and Norman Lawson joined the band. During this time they released the Sodden Jackyl EP and had one track ("Concrete Cancer") featured on Metal Blade's Metal Massacre VI.

The band broke up in the late 80s and Wino went west to California to join up with Saint Vitus. Wino recorded three albums, an EP, and a live album with Saint Vitus. Hellhound Records (Vitus's then current label) released The Obsessed, an album of archived Obsessed recordings, which prompted Wino to leave Vitus and reform The Obsessed with a new rhythm section consisting of Scott Reeder and Greg Rogers. The band was quickly signed to Hellhound Records and released soon released Lunar Womb. Scott Reeder later left to join Kyuss, whereupon he was replaced by Guy Pinhas. Columbia Records signed them for their third and final album, The Church Within (1994, see 1994 in music), which received rave reviews. Despite a large amount of promotion on behalf of Columbia Records (including a 25-minute documentary on the history of The Obsessed), the album did not sell as well as expected. After the demise of The Obsessed, Wino went on to form Spirit Caravan, while The Obsessed's rhythm section became the basis for Goatsnake.
Primitive Man
Primitive Man
Denver, Colorado's Primitive Man was formed in February of 2012 by Ethan Lee McCarthy, Jonathan Campos, and Bennet Kennedy (current and former members of Withered, Clinging To The Trees of A Forest Fire, Death of Self and Reproacher).

In October of 2012 they recorded their debut LP "Scorn" at Flatline Audio with Dave Otero (Cephalic Carnage, Cobalt, Catheter, CTTTOAFF). Scorn was released a collaboration between Throatruiner and Mordgrimm Records. After the release of "Scorn" the band parted ways with Kennedy and recruited Isidro "Spy" Soto to take over on drums. The band also self-released a three-song EP in February titled P/M.

Primitive Man unleashed a filthy, malignant maelstrom of blackened doom on their debut album 'Scorn. Thrillingly misanthropic in their approach, Primitive Man drench their post-apocalyptic vision of the world in waves of feedback, pummeling guitars and hopelessly frightening vocals. If a bright end of summer record is what you're in need of, run as fast as you can from Primitive Man's 'Scorn'—this is grade-a hateful, soul-annihilating music of the darkest order. Dubbed a " totally malignant sounding record and one that will consume you whole if you're not careful," by Cvlt Nation, commended for merging "the oppressive weight of doom with the misanthropic bile of black metal" by Blabbermouth and called, "the best worst thing that has ever happened to you," in an 8/10 review from Metal Hammer, 'Scorn' finds Primitive Man celebrating a slow-roasted apocalypse through seven suffocating hymns of hatred, disease and sonic deviance.

In June of 2013, Primitive Man signed to Relapse Records. Relapse will reissue Scorn in the summer. Primitive Man will tour the US in July-August with Reproacher.
Fatso Jeston
Fatso Jeston
Fatso Jetson formed in the wee hours of 1994 after Tony Tornay, and cousins Mario and Larry Lalli spent way too much time together playing pool, drinking shitty beer and watching TV in the after hours at Mario and Larry's nightclub, "Rhythm & Brews.” They decided that since they already played the appropriate instruments, that their time would be better spent playing music instead of eternally making double-or-nothing bets on a crummy pool table and watching History Channel documentaries.
After cobbling together 9 or 10 songs (and coming up with a name that references an old Ingmar Bergman film character) they played their first show in September 1994, opening for former Black Flag guitarist Greg Ginn. On the basis of this show, Ginn decided he wanted to release an album with the band on his SST Records imprint. The band then went on to play as many shows as possible including a tour with fellow desert dwellers Kyuss.
Then, in August 1995, Fatso Jetson's first record, "Stinky Little Gods" was released. Just over 2 years later in November 1997, the band released their second full length opus, "Power Of Three", again on SST featuring the bands first collaboration with Vince Meghrouni. It was around this time that the band hooked up with Brant Bjork (ex-Kyuss, ex-Fu Manchu skinsman) who played rhythm guitar. Brant stayed in this capacity until touring with Fu Manchu forced him to leave the band, though he did appear on two 7" releases, one of them a split with The Bloodshot, and the other a split with Fu Manchu.
In late 1997 Fatso Jetson started to look for another record label and found themselves in the company of Bongload Custom Records. In April 1998, Tony, Mario and Larry entered Monkey Studios in Palm Springs to record their 3rd full length offering for Bongload, The album they came up with is "Toasted,” produced by Chris Goss (Masters Of Reality, Desert Sessions). Around this time famed artist Frank Kozik asked the band to record a record for his now legendary “Mans Ruin Records”. In August 1998 the band re-entered Goss’ Monkey Studios to lay down the tracks for a record that would eventually become “Flames For All.” Long time Lalli collaborater Gary Arce joined the band as a rhythm guitarist for a tour with Queens Of The Stone Age and continued to play with the band for a European tour and an appearance at the Dynamo Festival in Holland and an appearance at SXSW in Austin, Tx. in 1999 until he finally departed in April 2000.
Amidst all of this activity Fatso Jetson also contributed to "The Desert Sessions" releases. The Desert Sessions were the brainchild of Josh Homme (Kyuss, Queens of the Stone Age). He organized these recordings bringing desert musicians, outsiders, freaks, and other creative like-minded rock musicians together to collaborate. At these sessions Mario Lalli co-wrote two songs with Homme ("You Think I Ain’t Worth A Dollar, But I Feel Like A Millionaire" and "Monster in the Parasol") these would eventually make their way on to the Queens of the Stone Age albums "Rated R" and "Songs for the Deaf.” All three members contributed music to other tracks that would find their way onto “Desert Sessions” records
After some regional touring in the United States and a second appearance at SXSW in 2000, Fatso Jetson headed back into the studio to record their 5th full length studio album: “Cruel & Delicious.” Recorded in Silver Lake, Ca. at Donner and Blitzen Studios with earthlings? and Twilight Singers collaborator Mathias Schneeberger. The album was subsequently released on Josh Homme’s “Rekords Rekords” in November of 2002.
After some highly anticipated dates with Queens Of The Stone Age, Fu Manchu, and Beck, Fatso Jetson quieted down for a few years. The permanent members Mario, Tony, and Larry had found themselves living in different cities with other obligations taking over their time. They consistently played regional shows and spent time in various studios recording but it would be a few years before any new music would come to light.
Even in their quiet they managed to still make noise: LA Weekly nominated them as one of the “Best Rock Bands” in Los Angeles in 2003.
Around this time Tony spent some time playing with Black Flag alum Chuck Dukowski recording a record and playing shows in both the States and Europe with an appearance at Coachella, while Mario toured and recorded with a reactivated Yawning Man and a desert “super group” Orquesta del Desierto along side Pete Stahl (Scream, earthlings?, Goatsnake), and Alfreado Hernandez (Yawning Man, QOTSA, Kyuss)
In 2007 The band now joined full time by Vince Meghrouni playing multiple instruments and singing, released “Live” a, well as the name implies, a live record recorded in their adopted hometown of Los Angeles and released on Cobraside Records
2010 saw the release of “Archaic Volumes” again on Cobraside Records with subsequent European and United States tour dates with Oaks Mary and The Atomic Bitchwax including sold out performances at The Roadburn Festival and Stoned from The Underground Festival.
In 2010 Tony started Deep Dark Robot with famed record producer Linda Perry. They recorded an album “8 Songs About A Girl” in 2011 and spent the year touring America in support of the album and making videos starring the likes of Kat Von D and Juliette Lewis.
In 2013 Fatso Jetson was joined by Dino Lalli (Mario’s son) and released a Split 12” record with fellow desert dwellers Yawning Man and headed out for a European tour to promote it including sold out co-headlining performances at both Desert-Fest London and Berlin.
Tony spent a few months at the end of 2013 and the beginning of 2014 recording and touring with childhood friend Brant Bjork on his project “Brant Bjork And The Low Desert Punk Band”. They hit Australia, America and Europe before Tony bowed out to re-focus on Fatso Jetson
2014 has seen the band playing festival shows and some regional touring while being featured on the Foo Fighters: Sonic Highways documentary.
2015 promises to be quite a busy year for Fatso Jetson with both the recording and release of a new record and extensive touring in bothe The States, Europe, and beyond…


Perhaps most impressive about the tracks is that no matter where Fatso Jetson seem to head sound-wise, they still sound so distinctly like themselves, and they seem to be in full command of their aesthetic, not so much conforming to the desert rock style they helped create as taking those elements with them on a creative journey outside genre bounds. – The Obelisk

"Strange and wonderful is the best way to describe the much-overlooked Southern California sort-of-stoner trio Fatso Jetson. Its third full-length record, Toasted -- originally recorded and released in 1998, and reissued in 2001 -- is an unusual amalgam of Melvins/Mudhoney grunge, slabby desert rock riffs (à la its dearly departed buddies Kyuss), Monster Magnet space rock, Clutch grooves, and Black Sabbath dirges, but with enough quirk and flair to keep the proceedings under a subtly humorous thumb without delving into joke-band territory. –Jorn Serba, ALL MUSIC

Although squarely in the realm of desert rock, Fatso Jetson has more in common with Delta blues fashioned with matter from a neutron star than it does with the sun-baked cow punkery of fellow desert dwellers the Meat Puppets. On record, there are surfy, jangly elements that would fit snuggly in a Dick Dale instrumental. Live, the band unleashes mammoth riffs and maintain a dizzyingly high level of energy. Its performance is one of seasoned professionals: loose and adaptable, yet tight and immediate. –Eric Bensal

Fans curious about stoner rock's heritage would do well to check out this and every recording from desert rock godfathers the Lalli cousins, who influenced stoner superheroes Kyuss while playing in desert bar bands like Englenook and Yawning Man. Fans of Josh Homme's fluid soloing on Kyuss and Queens of the Stone Age discs will enjoy and recognize the guitar stylings on "Corn on the Macabre," just one of the five instrumental tracks that reveal Lalli's talent for combining punk anti-music with all out jam rock to create the big, primal, desert sound. Mario Lalli's vocal approach differs significantly from many of the genres subsequent practitioners. Eschewing '70s blues riffs, Mario Lalli's voice and lyrics echo his punk influence as strongly as his guitar playing reflects surf and psychedelia. –Vincent Jeffries

Though spiritual fathers of a musical genre that has made repetition its trump card, Fatso Jetson
stand out from any other band for their mobile and heterogeneous sound, especially in 2010,
when the band came back on the scene, after eight years of silence, with a record that sounded
almost “punk.” –Rock And A Hard Place

Like Kyuss/QOTSA, Fatso Jetson built a name for themselves by putting their own unique spin on the Sabbath sound, but unlike their counterparts, larger than life singer/guitarist Mario Lalli's true love lies in both jazz (Thelonious Monk, Eric Dolphy) and experimental rock (Frank Zappa, Devo). On paper, this conglomeration of different styles sounds like the perfect recipe for a train wreck, but it somehow all comes together on disc, as evidenced by the trio's 2003 offering, Cruel & Delicious. –Spin Magazine
Karma To Burn
Karma To Burn
Karma to Burn is an American instrumental stoner rock band. The band was formed in 1994, in Hicksville, West Virginia (actually Morgantown, WV, though this was a running joke also reflected in bios of the band on other Web sites).

Their instrumental album Almost Heathen is widely regarded as on par Kyuss' Welcome To Sky Valley and Monster Magnet's Spine of God, as one of the defining albums of the stoner rock genre, although the band themselves referred to their style as malternative.
Venue Information:
Highline
210 Broadway Ave E
Seattle, WA, 98122
http://highlineseattle.com