*NOTE*
Black Pussy does not condone or endorse any sexism, racism, ageism, violence, or any other douchebaggery that has been spoiling the party since the party started. If you are offended by the band's name please refer to the following quote...

"Few people can see genius in someone who has offended them."
-Robertson Davies

When The Rolling Stones wrote their classic track "Brown Sugar" it was originally titled "Black Pussy," but record-label politics got in the way: It was deemed too offensive and the powers at work refused to put it out. So the band had to change the name to something that was easier for the general public to swallow.

At least that's how the legend goes.

For Dustin Hill, the creative mastermind and songwriter behind Black Pussy, it sounded like a fantastic band name. It encapsulates exactly what the band is: a sex-charged, '70s-influenced, hide-your-daughters-because-they're-coming-to-town rock 'n' roll band that sounds like Tarantino directing a Thin Lizzy video in the low desert. Considering the name comes from a song that directly speaks out against racism, Hill isn't willing to entertain the notion that the band intends to offend anyone.

Black Pussy's heavy, bluesy sound and clear influences of Kyuss, Hendrix and The Who have found a niche in the ever-growing, global stoner-rock movement. The band exclusively uses vintage Sunn gear, pushing a massive 44 speakers when playing live and tends to land shows with the heaviest, sludgiest bands in the Portland, Oregon scene. However, their classic, upbeat, relentlessly hooky tracks
have led to Hill coining the phrase "stoner pop," like The Cars meets Black Sabbath. The band's catchy music tends to seduce anyone, even those who walk in off the street after seeing the intriguing band name on the marquis of the venue.

Black Pussy's 2012 debut album On Blonde is Hill's baby: It was written and mostly recorded by him alone, though guitarist Ryan McIntire, drummer Dean Carroll, bassist Aaron Poplin and keyboardist Keith O'Dell were later added to the band. The record, which kicks off with the rip of a bong and sounds like a drug-riddled midnight misadventure in a '70s muscle car, has carried them through successful
and nearly endless touring of the U.S for the past year and a half, and even found its way across the ocean as well: The track "Blow Some Steam Off" ended up on the February 2013 Metal Hammer compilation.

This year will see two new releases from Black Pussy: Their contact high-inducing, 22-minute psychedelic opus "Galaxies" will appear on a split release with the band biblical proof of UFOs, and their much-lusted-for sophomore album, Less Info More Mojo, which was recorded and produced in the California desert by stoner-rock legend Brant Bjork, will be out in the fall. White Orange, Hill's heavier project, will also be releasing an EP entitled Onawa on August 6.

Additionally, Black Pussy will be touring extensively with ex-Kyuss legends Vista Chino this fall.

Rock n' Roll history is rife with brothers working together to create their artistic vision. But rarely do we hear about a full-fledged family unit embarking down the treacherous path of a musical career. In the case of Texas based Mothership, the Brother Juett (Kyle on bass, younger brother Kelley on guitar)
enlisted the aid of their father, John Juett, to help get the 'ship off the ground. Raised on a healthy dose of their father's 70's-era record collection, the brothers began crafting songs fueled on the raucous and raw good time vibe when music seemed to know no bounds. Lifting off the pad for the first time in 2010, the band began to gain momentum and notoriety with their unabashed live shows. Knowing that the service of the family patriarch was temporary, Father Juett actively helped his boys find his replacement, and in late 2011, enter the mighty Judge Smith to hammer away on the skins. In early 2012, Mothership entered Crystal Clear Studios with Wo Fat mastermind Kent Stump manning the boards and by mid-year, the band self-released their debut album. It was the combination of the 70's-era heavy rock fuzz and fury mixed with the blistering guitar solos of the NWOBHM-era that drew the bands attention to California-based Heavy Rock label, Ripple Music. In the waning months of 2012, after a successful year of traveling regionally throughout Texas and opening for national acts such as Prong, Red Fang, Gypsyhawk, Earthen Grave, and Lo-Pan, Mothership officially dubbed Ripple Music as its Home Port. With the official Ripple Music release of the band's debut record in February of 2013, Mothership began a torrid journey across America and parts of Canada to promote the record, including a tour in support of Gyspyhawk and another in support of Scorpion Child and Kadavar. Currently, the band is holed up in the studio working on new material and plotting a course across Europe in Spring of 2014.

Featuring ex-members of late NJ by way of Seattle heavy weights, Kiss It Goodbye, and Playing Enemy. Great Falls delivers a healthy, Am Rep style that is sorely missed. A good healthy dose of Today Is The Day's "Willpower" (aka good Today Is The Day!), and a highly influenced take on Unsane's "Scattered Smothered And Covered". Noisy, angular, abrasive, ugly.